Ahhh corpse fucking, a taboo subject that even the most hardcore of Extreme Cinema films rarely delve into. Sure, directors are willing to mutilate teenagers with chainsaws and machetes all day but once you add in a touch of deviant sexuality it goes to a whole different level for most people. Obviously you’ve got your underground classics like the Nekromantik films or even a bizarre romantic drama like Kissed, but all in all it’s a pretty short list of films that make necrophilia the central focus. Of course, an essential entry to that list is Nacho Cerdá’s ultra twisted mini-masterpiece, Aftermath.
There really isn’t that much to say about the story beyond the fact that it centers around a deviant forensic surgeon (Pep Tosar) who has his way with the corpse of a young woman in one of the more shocking and disturbing sequences ever put on film. The fact that it’s light on story really doesn’t matter much in this case since it’s the incredible visual style that does the heavy lifting in this dialogue-free film. Much like A Serbian Film, the thing that makes this so effectively shocking isn’t just its subject matter, but also that it’s just so goddamn well made.Every detail inside the surgeon’s lab is so meticulously created that it gives an incredible level of authenticity to the overall film. This is helped greatly by the fact that it was filmed within a real forensic institute in Barcelona and that Cerdá had the chance to witness an actual autopsy prior to filming. While the little details are great, the real showstoppers are the corpses themselves, masterfully crafted by special effects studio DDT. Each cadaver has such brilliant attention to detail that they come across as genuine characters right down to the tracks in one man’s arm that were probably the cause of his death.
Speaking of genuine characters, Tosar does more with his incredible eyebrows and menacing stare than many actors are able to accomplish with two hours of dialogue. Added to this is the fact that every shot is expertly crafted and the whole thing is scored to Mozart’s hauntingly beautiful Requiem in D Minor. It’s these small but significant touches that really elevate Aftermath beyond just a shocking video into the visually arresting and provocative art that it is.