When a movie is titled Bus Party to Hell and features a masterclass thespian such as Sharknado alum Tara Reid, you have a pretty good idea what you’re in for. Of course, there’s nothing wrong with an over-the-top film that doesn’t take itself too seriously, provided it’s actually enjoyable to watch. There’s a surprisingly thin line between outrageously fun and irritatingly stupid and today we’ll see if BPtH falls more along the lines of the campy, gory fun of Father’s Day or the interminable slog that is Kudzu Zombie.
The film stars Tara Reid and by stars I mean she is in it for literally ten minutes before it shifts focus to follow a group of cliched caricatures of party-goers on a bus that’s en route to Burning Man. When the bus breaks down and the driver (Sadie Katz, whose raspy voice makes Tara Reid sound like a velvety seductress by comparison) is nowhere to be found, things quickly go bad for the passengers as their bus is descended upon by a group of cannibalistic maniacs.
When a film plays out like a softcore porn rip-off of The Hills Have Eyes, the one thing I would hope is that it’s at least fun. Unfortunately, what we have here is a series of tiresome scenes that serve no purpose other than to get you to the next cheap kill or an excuse to strip down the actresses. The script itself is treated with about as much respect as the female characters as the actors spew out cringe-inducing attempts at humor, regardless of the peril they are in. Given that each character’s entire personality can already be summed up by a single word (nerd, virgin, rich) it makes actually caring about anything that happens utterly impossible.
I’m not really sure who this is for, but my guess would be it’s aimed at 13-year-olds who want to see tits and haven’t realized that PornHub is a thing. Despite its desperate attempts to seem edgy by shoehorning in nudity and blood, the end result actually makes the film feel dated and irrelevant. The experience reminded me of watching cheap pay-per-view T&A flicks like The Bare Wench Project back in the dial-up internet days when porn was actually hard to come by.
The biggest problem here is that if you are going to eschew plot and story in service of showcasing sex and violence, then you need to bring it when it comes to those areas. This is why the American Guinea Pig films and Portraits of Andrea Palmer work so well despite having very little plot, they are willing to lean into the edgy content instead of just paying lip service to it.
Despite all this, the film is not without some positive attributes. The gorgeous establishing shots of the desert remind us that, had the filmmakers cared enough to include interesting and even somewhat grounded characters, they could have easily made a very watchable movie. In addition, even though many of the blood gags look generic or just plain silly, the scene where they cut a woman open and pull a live snake out of her belly actually worked quite well. Still, the end result feels like something that was conceived of and shot at Burning Man over a weekend and was (hopefully) a lot more fun to make than to it was to watch. This is certainly one bus ride that you are better off letting pass you by.