As a site whose primary goal is to feature reviews of the most fucked up and grotesque films ever made, it’s long over due that the underground company A Baroque House (whose bread and butter is extremely graphic erotic horror shorts) had some representation. That’s not to say this is a review of the company’s varied output as a whole but since Sadistic Pleasures was a first time watch for me, it seemed a good one to start on for an unbiased and fresh take on the merits of that particular film.
It’s important to meet films on their own terms and understand the goal of a particular production to be able to assess how successful it is at achieving it. Since this film has about as much plot as early Guinea Pig entries, it’s not really fair to judge what is essentially just scenes of erotic titillation followed by graphic mutilation by conventional narrative standards. Instead, you must understand that this is down-n-dirty underground shock cinema meant to deliver a jolt to the more primal parts of your brain by delivering a taboo experience that you won’t be able to find on any conventional streaming service.
The film starts with a nameless young woman (Kaiia Eve) playing to the camera as she starts to put on a progressively more explicit show for the viewer. This continues for a little while until hands come into frame from an off-screen person (Leila Lewis) and things start to get a lot rougher, even escalating into a bit of cutting and knife play (simulated). The woman is soon drugged with a syringe full of a mysterious dark liquid and the real brutality begins.
Given the previously mentioned criteria, my main complaints center around areas that could have been tightened up to make the viewing a more cohesive and satisfying experience. The fact that the footage cuts between handheld POV and set-up shots is disorienting and makes it hard to establish where the characters are in time and space and what the viewers relationship to them is. The film would have been better served either leaning all the way into the handheld POV and framing the whole thing in more of a found footage context or visually distinguishing between the POV and the other shots so it doesn’t completely demolish the fourth wall when she looks right down the barrel of the camera.
It would have also been nice to have a little bit of dialogue to establish the context and maybe some interaction between the girl and the person behind the camera to make the situation she’s in a bit more clear. Regardless, the film has to be judged on what it does have and to that end there are some impressive visual elements that I want to call out. The scene that was particularity noteworthy was the image of the woman lying on the bed, brutalized and covered in bandages except where Eve’s real life tattoo of a demonic face on her lower belly remains perfectly framed by blood soaked gauze. Its a moment of horrific beauty and works excellently with the ominous sound design that accompanies it.
The FX here are also pretty on point, especially in a scene that features the best graphic breast cutting since The House that Jack Built, helped in large part by the attention to detail that went into making the prosthetic match Eve’s actual tattoos. So while Sadistic Pleasures may not have much to offer from a narrative or intellectual standpoint, it gets right down to business by delivering some edgy, uncensored content and at 23 minutes doesn’t overstay its welcome.
Availability: Moderately Available
Film is available for rental or purchase exclusively at http://www.abaroquehouse.com.