Writer/director Jonathan Holbrook’s new film Beloved Beast is his latest example of what has come to be known as ‘Holbrookian Horror’ following his excellent 2016 feature Tall Men. The term is apt because much like that film, Beloved Beast is imbued with the director’s signature style, one that successfully channels the surreal Americana of David Lynch, while maintaining it’s own unique flavor. In both cases, the viewer gets the feeling of slipping into a cozy nightmare, one that you want to envelop you as you willingly slide into the depths of its subtly surreal world.

After young Nina (Sanae Loutsis) is involved in a car accident that claims the lives of her parents, she is put into the care of her estranged ne’er-do-well aunt, Erma (Joy Yaholkovsky). At the same time a dangerous escaped mental patient named Milton (played by Holbrook) is carving a bloody swath through Slough Town, where Nina lives. Through a series of unusual circumstances, Nina befriends Milton who (after donning his signature rabbit mask and wooden mallet) becomes known by his new identity, Harvey, Nina’s violent and unstable protector.

Beloved Beast is presented in the style of a dark, gruesome fairy tale and absolutely captures that aesthetic. The characters themselves are grounded in enough realism to make the viewer invested, while at the same time the world itself is awash in a subtle dreamlike quality. The story is very engaging and I was thoroughly invested in seeing what would happen next as it dove deeper into the dark world hidden beneath the veneer of small town civility. While the actual style is a bit more of a horror-drama hybrid that defies easy categorization, it certainly has enough blood and menace to keep horror fans satiated as it twists and turns through it’s unpredictable plot.

In this case it is very fortunate that the story is so interesting because with a runtime that’s just shy of three hours (!) it really puts the goodwill of the audience to the test. In fact, my only real criticism of the film is that there is just a bit too much of it, and it would greatly benefit from an aggressive recut. While I did enjoy every scene I watched, I would have preferred if several of them had been relegated to a ‘deleted scenes’ section on the Blu-ray because the cumulative effect drags down the pacing a bit. With about forty-five or so minutes trimmed off, this could become a sleeker and more horror focused film with a greater amount of tension and suspense.

Still, even in it’s current form, it is an incredibly interesting and delightfully twisted film that’s well worth your time. The myriad of strange and off-kilter characters make the journey a unique experience you won’t soon forget. Hell, I would love to see a spin-off that focuses entirely on The Belgian and the dark underworld that he inhabits. So, do yourself a favor and block off an evening for this grim fairy tale with a style all it’s own.